BISACQUINO
L'ETERNA ILLUSIONE
Andrea Buglisi
The mural portrays Ann Miller, an actress and professional dancer, who was nominated for an Oscar in 1938 as a supporting actress playing the role of Essie Carmichael, a funny and slightly ditzy waitress in Frank Capra’s “Eternal Illusion”. A compelling series of events make this comedy irresistible. Followed by the captivating ending, which confirms that true happiness is only found in simply following your heart. It is a pure eternal illusion to believe that another source of happiness exists outside of love. Andrea Buglisi’s work maintains perfect duality between lightness and intensity, realism and imagination, simplicity and complexity. A harmony concretized in a placid yet jaunty pose, which acts as a vector for a dialogue of glances between the protagonist of the mural and the raven Jimmy, a trained bird species that appears in many Frank Capra films.
LA VITA È MERAVIGLIOSA
Mariana Duarte Santos
The mural represents the last scene of Frank Capra’s film, shot in 1946, “It’s a Wonderful Life”. George Bailey, the protagonist, is a man who exemplifies a life of selfless dedication, prioritizing the well-being of those around him at the expense of his personal aspirations. The aim of his life and his work is the realization of the dreams of his fellow citizens. Ultimately, in a moment of great crisis, a whirlwind of emotions are stirred within him. George thinks of putting an end to his life. Followed by this thought, he leaves town, finding himself standing on the edge of a bridge with the contemplation of jumping off into the river. Rapidly, the angel Clarence appears, he says, “You will witness how different the lives of others would be if you had never existed.” Soon after, George recognises that the meaning of life is simply to become indispensable to all the people we love. Mariana Santos’ mural captures the very moment of happiness that arises only from love, the moving culmination of the finale, in which the very moment life’s purpose is reawakened.
ACCADDE UNA NOTTE
CrazyOne
A capricious heiress runs away from home when her father forbids her to marry a supposedly handsome man. Her adeptness allowed her to escape the scrutiny of the detectives’ pursuit. Conversely, a journalist manages to catch her with the intention of making a journalistic coup. Of course, during the bus trip across America there will be the opportunity for mutual falling in love. However, the long-awaited meeting fails to happen because both, forced to sleep in the same bed, separate the spaces by building a wall of towels, which the protagonists refer to as “The walls of Jericho”. This work stands as one of the cornerstones of American cinematic comedy, and CrazyOne’s mural captures the art of the protagonists in the moment of revealing their love to one another. The stencil technique adds even more fascination to the work. Up close, the piece resembles an abstract configuration, but when observed from a greater distance, it offers a surprisingly coherent overall image. And so happens the same in life – if we manage to find the right distance from reality, all of life will be able to manifest itself in its entirety.
MR DEEDS & BABE
Theic
Inspired by Frank Capra’s film “Mr Deeds Goes to Town”, an acclaimed masterpiece of American cinema, this work presents a modern artistic interpretation of the film’s themes. The story is both simple and complex – a fable about real life, based on the profound depth of the human spirit against greed of a capitalist mentality. Mr. Deed, a humble country boy, inherits a fortune and chooses to distribute it among the poor, going back to living his life in poverty, as he once did. Amidst the hustle of city life. Mr. Deeds finds solace and joy, not in his newfound wealth, but in the relationship he builds, with a journalist who sees beyond his naivety and discovers the goodness in his heart. Their love story, captured so poignantly on a bench under the stars, echoes Theic’s artistic vision: that happiness is not found in material possessions, but in the pure joy of being together. This scene is artistically rendered in a nocturnal setting, inscribed upon the perimeter wall of an amphitheatre, creating a profound sense of intimacy between the two figures.
CAMPOFIORITO
HE WHO HOLDS THE LIGHT
Artez
Drawing inspiration from the film “Crime of the Mafia – Mario Francese”, the artist has created a powerful mural that captures the essence of human struggle and resilience. At its center stands a titanic human figure, captured from behind, with a right hand clasped to the forehead in a gesture of overwhelming despair. The posture and nakedness communicates the depth of suffering borne by every man who fights against the mafia, symbolizing the universal fragility of humanity in the face of such struggles. Navigating the complexities of a space with a short staircase, the artist transforms it into a canvas of symbolism and beauty, guiding the viewer’s gaze upwards toward the light. Hope is the lifeline we grasp. In our hand lies the power to overcome force and deceit, and find the possible victory of light and truth. Above, the sky opens wide, interpreting a sort of door towards infinity, suggesting an endless journey towards freedom. It seems that all the world’s pain and hopes are etched onto a single wall.
BREAD PITT
Heavy Mentall
In the tapestry of cultural traditions, bread and wine emerge as sacred threads, woven with powerful evangelical significance. It is more than sustenance, it is a symbol of life, reflecting the name of Jesus, the Bread of Life. It’s no wonder that in many countries and countless communities, bread becomes the centerpiece of religious festivals, celebrating both the spiritual and the communal. The feast of San Giuseppe, beautifully depicted in Lina Besedina’s mural, captures this spirit and is a perfect example. And it is obvious why the festival is dedicated to Saint Joseph, who has always been linked to workers and bakers, honored with altars that overflow with meaning and symbolism. Lina’s reinterpretation bursts with intense, psychedelic colours, capturing the jubilant essence of bread-making, the heart of the celebration. Her artwork with its use of vivid and intense shades, exudes a festive spirit that is both surreal and deeply evocative. Lina’s joyful irony permeates the mural, a reflection of her strong personality and life-affirming energy. This piece presents a secular gaze upon a sacred tradition, emphasizing the exquisite artistry.
CICLO TRADIZIONALE DEL GRANO IN SICILIA
Medianeras
This artwork inspired by Vittorio De Seta’s documentary, Parabola d’Oro, is a heartfelt tribute to Sicily’s enduring legacy as the Medeterranians granary, a role it has played since ancient roman times. The young woman, her features and attire towards her southern roots, stands in a poetic dialogue with an ear of corn, representing a world steeped in history and culture. The artistic choice to place her on the right wall and the corn on the left, with a street in between, invites viewers to bridge the gap with their imagination, weaving the separate elements into a harmonious whole. The mural is a celebration of the wheat cycle, a spiritual odyssey. Reflecting the profound wisdom of farmers, who nurture the land with care and devotion, celebrating their intimate connection to the earth.
CHIUSA SCLAFANI
CILIEGIA PARADISO
Alon
In the heart of Chiusa Sclafani, a town nestled among jagged and sloping hills, the cherry represents more than just a fruit; it embodies the soul of a community that has poured its passion and pride into its cultivation, marking its economic and social life. Alon David Alonso’s mural beautifully captures this essence, celebrating the role in the town’s life and legacy. Against a vast, azure sky, Alonso paints Totò and Alfredo from “Nuovo Cinema Paradiso” in a joyful act of cherry-picking, embodying the harmony between past and present. Alfredo, bearing the weight of tradition, contrasts with the youthful Totò which eagerly gathers the fruits of a legacy. The protagonists are the cherries, abundant in their basket and still hanging from the branches, embodying the sweet reward of tireless devotion of a tradition that has given so much, and has much more to give to future generations.
FALCONE AND BORSELLINO
Alon
Alon David Alonso’s artwork honors two martyrs of freedom, Falcone and Borsellino, who valiantly defended justice and sacrificed their lives so that ours might have a future worth living. Captured in a moment of fraternal joy, the two magistrates are depicted laughing heartily, exuding a joy that stems from their unwavering commitment to what they believed was right. Their images, painted on the walls of a school in Chiusa Sclafani, symbolize a beacon of hope for the future, inspiring the young with tales of hope and integrity. The artist and the town aim to impart a powerful message to future generations; that the memory of our martyrs is essential for the rebirth of society and that it is the collective responsibility of all to foster a future free from the grip of organised crime.
TOTÒ CASCIO
Alon
The mural, on a large wall, a beautiful tribute to Nuovo Cinema Paradiso, brings the beloved character of Totò Cascio back to life, almost seeming to be reborn. The mural captures the essence of cinema, portraying it as a source of pure joy embodied in Totò’s genuinely childlike smile. The expression of happiness reflects the deep sense of wonder and contentment that cinema can evoke, touching the soul with its sweetness and serenity. As Totò holds the film reel in his hands, it becomes a metaphor for the precious moments that make us laugh, cry and dream. In his eyes, we see the truth: cinema is more than just a form of art; it’s a way of living, of dreaming, and of finding joy in the world.
CORLEONE
PORTRAIT OF AL PACINO
Mandi Oh
The unforgettable image of Michael Corleone, brought to life by the Great Al Pacino, lingers in the hearts and minds of countless film lovers. His pensive expression, captured with a pristine natural setting, evokes a sense of nostalgia and profound contemplation. In times not far away, Francis Ford, Coppola’s “Godfather”, had created the sadly known image of Corleone, difficult to distinguish between the name of the town and the name of the Godfather, contributing to a complicated historical narrative. Today, Al Pacino reflects on a transformed Corleone – a place that has emerged from its past, reborn and free. His gaze, along with a powerful silent presence, acknowledges a new era for Corleone, a tribute to its enduring spirit and the promise of what lies ahead.
DEMETER, GODDESS OF AGRICULTURE
Milu Correch
In this striking mural, the artist breathes new life into the ancient myth of Demeter, goddess of agriculture, through a vibrant reimagining inspired by the documentary “Parabola d’Oro” by Vittoria De Seta. The artwork captures the essence of rural civilization in the Corleone area, and is a harmonious blend of the two. This tale, with its themes of loss and renewal, is the story of the grain cycle. After sowing, the grain remains underground for a long time, and only returns to flower in spring, which is why the imaginative mind of the Greeks narrated that Kore, the grain, was kidnapped by Hades, God of the underworld, and that Demeter, mother of Kore, forced Zeus to intervene by forcing Hades to leave her free. But Hades, before letting her go, offered her the seeds of a pomegranate; accepting them, Kore was forced to remain underground for another 6 months. On the right side of the mural, the artist designs a group of hands that try in vain to hold Kore back. On the left, we have Demeter, who stands solemn and grandiose among her fields of gold, while the work of the peasant servants is in full swing around her. The mural is more than a painting; it’s a living narrative that captures the cyclical beauty of agriculture and the enduring spirit of myth, all set against the timeless rhythms of the earth.
VENERDI' SANTO
Ligama
The mural stands as a vivid celebration of the Good Friday Festival in Corleone, transforming the wall of the ‘House on the Rock” in Via Candelora into a canvas of sacred art. The depiction of the processions is both serene and powerful, capturing the moment the body of Christ is brought forth from the Church, signaled by the sound of firecrackers. The Simulacrum, placed on a white sheet, is a focal point of the mural, exuding a sense of purity and solemnity as it is carried by the priests towards the crucifixion site. The “Great Cross” leading the procession, is flanked by two lanterns, symbolizing the divine illumination that pierces the darkness of the streets of the world, along the road that leads to Calvary. Embodying the timeless narrative of sacrifice and redemption that is at the heart of Good Friday.
PLACIDO
Loste
Loste’s mural, presents a striking portrait inspired by the figure of Placido Rizzotto, as depicted by Marcello Mazzarella in Pasquale Scimecas film. Rizzotto was a fervent advocate for worker’s rights and a trade unionist in the land of Corleone, one of the first heroes in the great history of Sicilian martyrs. Kidnapped and killed by the mafia. The artwork captures the spirit of a “comrade” whose eyes speak volumes of resilience and hope. They seem to tell us: “I am with you, in everyday life. No sacrifice happens in vain and by chance. Today everything can return to normal, continue to live without fear.” The mural, prominently displayed at the entrance of the C.I.D.M.A. serves as a canvas of historical memory and artistic expression. Through Lostes unique blend of realism and symbolism, the mural evokes a powerful narrative of defiance and liberation, inviting viewers to engage with the past while envisioning a future free from the shadows of fear and oppression.
MEZZOJUSO
L'INFINITA LOTTA
Web 3
Unfolding like a vivid tapestry in Piazza Umberto I in Mezzojuso, where history and artistry intertwine. The mural artistically enshrines the essence of the Mastro di Campo festival, a spectacle of pageantry and passion, unique in its kind and celebrated for over two centuries. Against a backdrop of dramatic flair, a representation that involves one hundred characters dressed in period costumes and which, ultimately, is the story of a conquest, a wonderful revival of the game of love. The absolute protagonist of this game is the Field Master, draped in his iconic red mask, who attempts to conquer the Queen, the archetype of every beloved woman, an ethereal figure. The artist paints the figure of the king, in the sumptuous clothing and solemnity of the large white beard and cigar, rival in love of the Master of the Field. Both are fighting for the queen’s hand. The king represents winter’s final touch, contrasted with the Master, the image of spring, of rebirth. The Queen, on the other hand, is the image of the pure Beauty of nature in this elaborate dance of the seasons. The murals’ vibrant colours and dynamic forms capture the festival’s spirit, portraying a poetic battle where spring’s hopeful renewal clashes with the residual chill of winter, celebrating the eternal cycle of love and rebirth.
SEMI D'ORO
Mapecoo
The mural, inspired by Vittorio De Seta’s cinematic ode “Golden Parable”, transforms the laborious act of wheat harvesting into a sublime celebration of Nature’s bounty. We see farmers spread among the Sicilian fields as they harvest wheat. The men load the sheaves of wheat onto mules and transport them to the threshing floors. The air is filled with songs of laborers, calling upon the sun, the wind and the Divinity to sustain their weary animals. In the evening, the work is done. The farmers fill the bags, load them on the mules, and return to the village. The artist immortalizes a Sicilian woman, her ebony hair flowing like the dark, seeming to offer us the fruit of her labor. She stands as a graceful embodiment of the land, holding the separated grains of wheat. The image of the horse, the enduring symbol of the partnership between man and beast, tells of the work that precedes the last act. In this work, labor transforms into artistry, and presented with grace, reflecting that Woman is Nature. The profound beauty of rural existence and female nature.
MEZZOJUSO: IDENTITA' BIZANTINA
Rame13
The town of Mezzojuso, with its rich Albanian heritage, has meticulously preserved a tradition of deep devotion to Byzantine iconography. This town, a tapestry of two Christian cults, holds a treasure trove of icons that echo the unbreakable connection between its past and present. Rame13’s artwork brings Christ to life in the vibrant blues and reds of his robe, set against a backdrop of celestial suns, and an open book that affirms His eternal Word. His eyes, both serene and commanding, seem to reach out to the people of Mezzojuso. The attempt to transform a religious icon into an identity symbol was successful: Rame13’s creation aims at transcending theological confines to become a vibrant, evocative tribute to the towns deep-seated heritage and collective spirit, who recognise, in this iconography, their own identity.
SITTING IN SICILY
Jarus
In a touching tribute, the mural honors a great figure from Mezzojuso, Gabriele Buccola, whose life and work left an indelible mark on the field of Italian scientific psychology. Born in 1854, Buccolas journey through the corridors of religious education at the Basilian monastery and Greek Albanian seminary shaped his profound insights into a solid humanistic education, inspired by the Eastern Catholic rite. During his short but intense scientific activity, which lasted only a decade, from 1875 to 1885, he established himself as a central figure in the European dialogue between different psychological theories. Jarus’ artistic vision breathes life into Buccola’s image, capturing him in an almost ethereal simplicity, an austere pose, his hands relaxed on his knees and his posture and attire seamlessly blending the old with the new. The expression on his face tells the story of intellectual fulfillment and contentment, revealing the serenity of someone who has no regrets in life. In this mural, Jarus intertwines the threads of history and modernity, portraying Buccola with contemporary clothing, so different from what was used in the 19th century. What better metaphor to underline the relevance of his figure, the modernity of his thought?
PALAZZO ADRIANO
IL RICHIAMO
Neve
The traditions of Palazzo Adriano, once known for their religious and cultural richness, took on a new dimension of fame in 1998 with the advent of Nuovo Cinema Paradiso. This beautiful town stole the hearts of moviegoers around the globe, and the movies that echo scenes from Tornatore’s masterpiece have transformed the town into a living canvas of memory and longing. Neve’s portrayal of Salvatore’s mother, who carries the weight of Alfredo’s death and the anticipation of her son’s return, transcends the story to speak to the universal experience of mothers waiting for their faraway children. Mothers who cultivate this emotion daily, who fuel homesickness. Her longing is palpable, her eyes intense with a mix of pain and hope. The lemons, glowing with the warmth of the Sicilian sun, frame her figure, anchoring her in the rich soil of her home land. This artwork is more than a tribute, it’s a meditation on the themes of departure and return, the ceaseless rhythm of absence and presence. Invaded by an emotional appeal, we experience the certainty that, despite distance and time, cultural and family roots remain a safe and welcoming refuge.
NUOVO CINEMA PARADISO
Bravo
In the mural inspired by one of the iconic images from the film ‘Nuovo Cinema Paradiso’, we see little Totò lost in the magic of cinema, his eyes sparkling with the kind of wonder and delight only a child can feel. His tentative smile reveals a heart captivated by the endless possibilities on the silver screen. This is a poignant celebration of childhood, where the sheer joy of discovery is infectious, drawing in his playmates who share in his glee. This is one of the most beautiful moments of Italian cinema. Totò Cascio, the young actor who brings this moment to life, is more than just a performer; he’s the embodiment of cinematographic art, while Alfredo, in his cabin next to his projector, is a sort of wise master of the dream machine he operates.. This mural is a visual poem, a tribute to the mysterious allure of New Cinema that has found its “Paradise”.
TOTÒ E ALFREDO
TVboy
The heartwarming embrace of the old man and the child, Philippe Noiret and Totò Cascio in “Nuovo Cinema Paradiso”, stirs a profound sense of admiration and nostalgia talking to us about their relationship. This tender moment, filled with emotion, invites us to reflect on the wisdom of the old mentor, one of the most beautiful sentences in the screenplay, captured in the line: “Whatever you do, love it, as you loved the cabin of paradise when you were little.” The artist, moved by the film and its ensemble, found in it a wellspring of inspiration for his creative path. The mural in Palazzo Adriano, depicting this poignant embrace, aims to be a tribute fixed in an instant, no one will separate them, ever again. Because the love for that art, that enchants every man, binds them forever. A visual symphony of emotion, a perpetual ode to a love for the enchanting world of cinema.
ENNIO MORRICONE
TVboy
This artwork pays homage to Ennio Morricone, the acclaimed composer of the soundtrack for “Nuovo Cinema Paradiso”. Depicted at street level, Morricone, regarded as one of Italy’s most influential musicians of the twentieth century, commands attention. True to his characteristic demeanor, he appears stern yet purposeful. The artist captures Morricone in a striking gesture, with his index finger pressed to his lips, a gesture that does not allow a reply. This powerful imagery conveys a profound message: the essence of music transcends words, which can be misleading and superfluous, because words mean nothing, words sometimes lie. Morricone’s gesture implores us to embrace the silence that gives rise to the melodies that resonate within our souls, reminding us of the importance of moments of introspection and to give space to deeper reflection every now and then.
ALFREDO
Hendrik Beikirch
Inspired by Nuovo Cinema Paradiso by Tornatore, Hendrik Beikirchs mural of the iconic figure Alfredo, exemplifies the artist’s commitment to eliciting emotion and sparking discussion through his work. Beikirch captures Alfredo’s character in strikingly realistic detail, highlighting the depth and resilience etched into his features. The strength of the character shines through, full of stories to tell, but at the same time, silent guardian of the artist’s interiority and the city he watches over. The image, enduring the ravages of time and weight of experience, is positioned as a metaphorical gateway, he seems to open the door to his very soul, inviting viewers to delve into the essence of the character and the narrative embedded within. Looking at it, it seems to us that it leads straight to the heart of the character portrayed. Beikirch’s work seamlessly integrates with the urban landscape, transforming streets and buildings into a cohesive artistic expression, connecting us to Alfredos poignant journey.
PRIZZI
APPARTENENZE
ENCS18
In a vivid echo of the documentary film by Nella Condorelli’s “The Shameful Story’, ENCS18 crafts a masterpiece that sails between the realms of departure and return. The ship, a vessel of transformation, becomes a canvas for two poignant scenes: the girl, her heart laden with the weight of Sicily’s embrace, setting sail into the unknown, and later, her return journey from the Americas, driven by a deep yearning to reconnect with her roots. The young woman’s gaze, steeped in melancholy, tells a story of departure that is often compelled by necessity rather than choice, leaving behind something precious. Yet her return reveals a profound beauty – a realization that despite the trials of a new world, the pull of one’s homeland and the comfort of returning to one’s origins offer a deep, resonant fulfillment.
IL BALLO DEI DIAVOLI
ALBANO
The mural is a tribute to the Ballo dei Diavoli of Prizzi, a celebration of medieval origins that holds deep cultural significance. On Easter morning, the air is thick with anticipation as the townspeople awaken, ready to embrace the light that follows the darkness of Good Friday. The devils, dressed in red and adorned with horned masks, roam the streets with a mischievous and eerie presence, while Death, clad in yellow, leads them with a terrifying fervor. The clash of ringing instruments fills the air, adding to the chaos as the devils seek to disrupt the sacred reunion of the Virgin and the risen Son. Mikhail Albano’s work places the risen Christ in the foreground, depicted as the Tree of Life, standing as a beacon of hope and renewal amidst the turmoil. Yet, even in this victory, the devils and Death linger, replayed year after year, a reminder of the cyclical nature of this ancient tale, with the eternal battle between light and darkness.
RACCOLTO
J.3rny
In this powerful piece J3RNY captures the essence of life and labor, celebrating the eternal myth of wheat, and drawing deeply from the themes of Vittorio De Seta’s documentary “Parabola d’Oro”. The vibrant colours, embodied in the figure of a young peasant woman, her hands, strong and sure, grip the scythe – a tool for bringing forth life from the land. Behind her, the golden wheat sways, a testament to her hard work and dedication. As she raises her arm to shield her eyes from the glaring sun, we feel her weariness, but also her deep contentment, knowing that her labor feeds her family and sustains her community. Her dress, a burst of colour amidst the sea of wheat, we sense what the bucolic spirit really is: a sacred bond between the earth and those who toil upon it, a bond that nourishes both body and soul.
GIOCHI DI UN TEMPO
Mr Thoms
In the vibrant, whimsical world of Mr Thoms, childhood is a canvas painted with the colours of memory and imagination. The innocent entertainment that children of the past enjoyed with little or almost nothing. There is the spinning top, with the string wound tight, spun with a violent jerk, sometimes served to hit other tops, the symbol of energy and excitement that once propelled our games. Hopscotch with its chalked squares and numbered paths, which forced you to perform difficult acrobatics and jumps. The playing cards, shuffled and dealt, are more than just a game; they are the threads that wove friendship and rivalries, stories told in the quiet moments between laughter. The marranzano and tambourine, with their simple rhythmic sounds. And in Prizzi, where children’s drawings often captured the eerie beauty of the Ball of the Devils, Mr Thoms finds inspiration, blending the innocence of play with the depth of cultural tradition. His work is a celebration of the games that shaped our youth, seen through the lens of a contemporary artist who honors the past while embracing the present.
ROCCAMENA
MADONNA DELLE FUNZIONI
La180
La180’s mural is dedicated to the Madonna delle Funzioni, a religious festival which takes place in the second week of August in Roccamena, and in which the entire community of the town participates.The Virgin of Functions, a beautiful name for the Mother of God, adorned in her majestic crown and luminous blue dress, radiates with an ethereal glow, surrounded by a golden circle that feels like the very sun itself, warming the souls of those who gaze upon her. Is it the sun of life that illuminates everything? Is it the golden light of the divine? There is a profound mysticism in this work that envelops us with its mystery. At the edge of the circle, a small bird flies with a twig in its beak. But it is an ear of wheat that makes the work symbolic. Not only because it alludes to the One who made himself bread for us, but because it makes sacred the work of those who turn to the Virgin to ask for the grace of a good harvest. This work is a testament to the emotional bond between the townspeople and the Virgin, a bond that is as enduring and sacred as the festival itself.
LE MANIERE MAGICHE - I CONTADINI
AlvaMoca
In this mural, the artist celebrates the heart and soul of Roccamena’s agricultural heritage, paying a heartfelt homage to the farmers whose hands bring forth the fruits of the Earth. He sees their work as nothing short of magical, a sacred dance between human care and nature’s gifts. These guardians of the land hold the secrets of life itself, their rituals transforming the soil into sustenance. AlvaMoca’s art, vibrant with the colours of the earth and supernatural light, capture the essence of creation in a deeply moving abstract portrayal. The mural speaks to the dance of sowing and harvest – the planting, the nurturing, the harvest – At the center of this work is the vertical eye symbolism of the sacred feminine, which evokes mythological and esoteric references in the abstract representation, inviting us to see the divine in the everyday act of tending the land.
ACCHIANA U PATRI CU TUTTI I SO FIGGHI
Seba_Mat
In Seba_Mats mural, the playful essence of a bygone era is captured in a vivid, contemporary tableau; games of a lost time, habits of a simple childhood and times gone by. The game “Acchiana u patri cu tutti i so figghi!” springs to life through his dynamic composition, a fun and decidedly acrobatic game – one of the players arch their back, facing a wall with hands on their knees, while the other players, in turn, have to jump the player arching their back without touching them, placing their hands on their back shouting “Acchiana u patri cu tutti i so figghi!”. Jumping along in a single file, almost like leap frog in the gym. The nursery rhyme that was recited with this was: “Acchiana u patri cu tutti i so figghi, quattru e quattru uottu, scarrica u buottu, l’acieddu cu li pinni, scarrica e vattinni”. Through colors, style and atmosphere, Seba_Mat managed to maintain the link with the era, inviting the energy of nostalgia. The mural transforms a forgotten game into a timeless dance of form and color, celebrating the exuberance of youth.
ROCCAMENA, TRADIZIONI AGRARIE
Loste
In Loste’s mural, there is a touching homage to the soul of Sicilian agriculture and the wheat cycle, inspired by the evocative documentaries of Vittorio De Seta. The farmer, with his deeply lined face and weathered hands, embodies the relentless spirit and quiet dignity of those who work the land. His hands sow and move the earth with effort, wisdom and precision. Bent over in a posture of both weariness and dedication, on his knees, he keeps himself in balance with his left arm, and completes his work with his right. He is a living testament to years of hard labor under the unforgiving sun, whose power the farmers know too well. The red circle that encircles his face is not just a design element; it is a halo of respect and reverence for the happy toil that has shaped his life and the land. The mural frames the whole mystery of work in the fields, reminding us of the enduring beauty and sacrifice found in the simple, yet profound act of farming.
